Copy Editing: What It Changes, What a Style Sheet Is, and What It Costs

Co-founder of Strong Finish Book Editing. Editing since 1988, for 28 trade publishers and imprints, including three of the Big Five. Margaret Atwood’s primary copy editor and proofreader for 31 years, across 22 titles. Copy editing is the pass that makes a manuscript correct and consistent. It fixes grammar, punctuation, spelling, and usage, and it

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Line Editing: What It Is, What It Costs, and How It Differs from Copy Editing

Co-founder of Strong Finish Book Editing. Editing since 1988, for 28 trade publishers and imprints, including three of the Big Five. Margaret Atwood’s primary copy editor and proofreader for 31 years, across 22 titles. Line editing is the pass that fixes how your book sounds. It works on rhythm, word choice, clarity, and tone, one

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Manuscript Evaluation: What You Get, What It Costs, and When It Saves You Money

Co-founder of Strong Finish Book Editing. Editing since 1988, for 28 trade publishers and imprints, including three of the Big Five. Margaret Atwood’s primary copy editor and proofreader for 31 years, across 22 titles. A manuscript evaluation is a full read of your book, followed by a written report. You get an honest account of

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Developmental Editing: What It Is, What It Costs, and When Your Manuscript Needs It

Co-founder of Strong Finish Book Editing. Editing since 1988, for 28 trade publishers and imprints, including three of the Big Five. Margaret Atwood’s primary copy editor and proofreader for 31 years, across 22 titles. Developmental editing fixes what your book is, not how it reads. It works on structure, argument, plot, pacing, and character, and

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